Titania and Bottom by John Anster Fitzgerald Artepics / Alamy Stock Photo

A Captivating Fantasy Photo Shoot Inspired by Unicorns and Fairies

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Titania and Bottom by John Anster Fitzgerald Artepics / Alamy Stock Photo This photo shoot was first inspired by a unicorn head. My mom was infatuated...
Siouxsie Sioux, from the album Mantaray, 2007 | Vinyls / Alamy Stock Photo

Siouxsie Sioux, Thank You

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Feature Image: Siouxsie Sioux, from the album Mantaray, 2007 | Vinyls / Alamy Stock Photo I was once a little girl beside herself with excitement...

Beneath the Witch’s Hat

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Photography by Alassie It’s as essential—as elementary really—to the vintage witch as a broom or flowing skirts. No, even more so. Much more than pointy...

The Legacy of Black Fae Day

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Photo by CoreElements Photography Without Black Fae Day (@blackfaedayofficial on Instagram), there would be no Enchanted Asian Day (@enchantedasianday on Instagram). It was the efforts...

Autumn’s Abundance

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Photography: Jovana Rikalo | Models: Mina Madžarević, Irina Ognenovska, Milica Simić, Sasha Lambon, Renata Beslać, Sonja Mišić | MUA: Biljana Velojić | Clothing: Edith...
Orley Anderson

I Do Believe In Faires

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Orley Anderson—in her own words, a “mother, creative stylist, and lover of glitter”—conceived of these astonishing images after deciding she “wanted there to be...
All photos © Olga Valeska

Olga Valeska: An Authentically Folkloric Life

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All photos © Olga Valeska Authenticity is such an important quality in a truly cozy, hygge life. And in this digital age of constant communication...

Witches Through the Ages

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A COLLABORATION BY THE SEAMSTRESS OF ROHAN AND HELENA AGUILAR MAYANS –––– Photography by Helena Aguilar Mayans Additional photography by Maria Simarro Losada The idea for the Witches...
01-Rachel Lauren-Ohio School of Falconry

Bonding with Birds at the Ohio School of Falconry

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One likely reason owls love us so much is because senior editor Grace Nuth spends much of her spare time cozying up to them, when...

Beata Beatrix

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by Grace Nuth Photography by Steve Parke She sits, back slumped in a way that indicates she is oblivious of our gaze or the propriety...